These articles are scanned and OCRed from old editions
of The Wireless World
OK, I give up. What is a "pukka amateur?"
According to an online dictionary:
pukka, adj (esp in
India) 1. properly or perfectly done, constructed, etc. a pukka road 2. genuine pukka sahib.
Next up: A Blattnerphone. That sounds an awful lot like Blattenberger, or maybe more
like Blattnerberger. Anyway, a Blattnerphone was an early attempt at recording sound on a
thought my native language was English, but evidently there are still some good words to learn.
See all the available The Wireless World articles.
by "Free Grid"
RADIO Paris still seems to be as popular as ever as a medium through which various commercial
undertakings, not excluding journals, can put across their welcome Sunday programmes. In these
days of "Buy British," however, it seems a pity that so much good money should have to go
out of the country for the hire of the station, and I hear that, in spite of the B:B.C.'s
monopoly, it is not unlikely that we shall soon be hearing these programmes radiated from
what is technically British soil.
If the sea were rough.
According to an acquaintance in shipping circles, a well-known financial house contemplates
the purchase of one of the many liners which are at present laid up around our coasts, with
the object of fitting it up as a high-power broadcasting station. When one thinks of the relative
smallness of the wireless room on even the largest liner, it is at first a little difficult
to see how a station with reasonably high power could be accommodated, until one remembers
that there would be a very large amount of space, usually devoted to goods or passengers,
available for the transmitting apparatus and studios.
The idea is that the vessel shall pick up its artists or gramophone records at some convenient
spot and then go out beyond the three-mile limit and cruise about while transmission is in
progress. There is no information as to which part of the coast the ship would use as its
base, but I do not suppose the inhabitants of the neighbouring coast towns would be too pleased
about it, unless they had Autotones, or at least superhets ; but still, there are plenty of
lonely stretches of coast, and in case of complaints the ship could get several miles farther
I am told that if the P.M.G. raised any objection, the vessel would use as its base a nearby
Continental port,· the artists being conveyed thither by aeroplane. The question which at
once springs to my mind is what would happen if the day were rough and the artists were seasick.
IT is a funny thing that all the greatest brains in radio, including my own, have been
unable to devise a better method of matching condensers than by means of segmented end vanes.
The method looks crude, but nevertheless it works well - as the hangman said to his doubting
client - and that's all that matters. This principle of fine adjustment by vane-bending is,
of course, carried to its logical conclusions in the Autotone, where, I suppose, more accurate
ganging has been achieved than ever before. I have, by the way, been finding the initial adjustment
of this set uncannily fascinating; the set is almost foolproof - no nasty remarks, please
- and yet it comes as a welcome relief amid the welter of "factoryhand" designs which make
no appeal to the pukka amateur.
Anticipating a boo.
I HAVE so often. complained of the annoyance caused by the sycophantic studio audience
who give such roars of applause at the conclusion of every item, whether good or bad, that
I am only too glad to admit that I have done them an injustice and to apologise accordingly.
I have had my suspicions for a long time, and so the other night, when I happened to be a
member of the audience in Studio
No. 10, I took special notice of the fact that the red lamp I went out thus indicating
that the microphone was dead-immediately the various items finished, and therefore our faint-hearted
efforts at polite approval were not broadcast.
The applause which is invariably broadcast is usually so hearty that I concluded at once
that my worst suspicions were confirmed. My presumption, however, that the B.B.C. kept a couple
of dozen professional applauders in a spare studio, continuously clapping and emitting other
noises of approval, and that their efforts were duly "mixed-in" in the control room, proved
to be quite wrong. I am told on reliable authority that the B.B.C. are far too economical
in man power to do this, and that although there is actually an applause studio, it contains
a number of Blattnerphones continuously operating records of hand clapping, feet stamping,
laughter and apprehensive gasps, each of which is "faded-in" according to taste.
I wonder, however, how it is that in the middle of an item we get the inane cackles of
laughter which so often mercifully prevent us from hearing some of the chesnuts which are
broadcast. I can only. think that the B.B.C. must have an expert psychologist in an ante-room
constantly watching the faces of the audience through a peep-hole so that he can intelligently
anticipate a boo, and with a quick turn of the "mixer control" replace it with laughter. When
television is perfected, and we can see the audience, I suppose that the B.B.C. will arrange
at critical moments for a quick fade in of a talkie' film of a Coliseum audience listening
to George Robey.
Posted April 9, 2011